Meet the jury: Jérémy Charvet, an artist’s взгляд at Masters de Feu

At Masters de Feu, the jury does not simply assign scores. It observes, compares, feels, then translates the emotion of a show through the eyes of an artist, a technician or a guest personality. Among the faces that have accompanied the competition’s recent history, Jérémy Charvet holds a singular place: that of a stage and screen artist, equally attentive to the musicality of the tableaux and instinctively drawn to the popular magic of fireworks. Present at the 2017, 2018 and 2019 editions, he brought to Compiègne a blend of freshness, humour and sincerity that quickly won over the audience.

A complete artist facing pyrotechnic art

Jérémy Charvet is known as a singer, actor and musician. His career has taken him from the music stage to television sets, following a path that includes Le Soldat rose, The Voice, theatre, cinema and television series. This dual background, both musical and dramatic, naturally informs his view of Masters de Feu. For a major competition firework display is never just a succession of light effects: it is a visual score, a writing of rhythm, a drama staged beneath the open sky.

For an artist accustomed to the stage, pyrotechnic spectacle has a special power. It speaks to everyone, immediately, without any translation. It relies on precision, surprise, tempo and breath. It also demands complete trust in the people behind the scenes: the pyrotechnicians spend a long time preparing what the audience receives in just a few minutes of brilliance. It is precisely this hidden dimension that left a mark on Jérémy Charvet during his time on the jury.

Behind the scenes that change a juror’s perspective

Asked about his experience as a jury member, Jérémy Charvet recalls it as a particularly powerful moment. With his usual humour, he first jokes about the supposed difficulty of spending an entire evening watching fireworks and judging them. But beyond the quip, his account above all reveals a discovery: the scale of the work required before the magic appears in the sky over Compiègne.

The visit to the preparations impressed him deeply. Seeing the teams at work, understanding the technical organisation, measuring the precision required to install, secure and synchronise the sequences: all of this gives the show a different depth. The public sees the final moment, the light and the sound. The juror, meanwhile, also perceives the craft, the controlled risk and the coordination that make that moment possible. For Jérémy Charvet, this awareness of the pyrotechnic work heightened the emotion experienced during the evening.

2017, 2018, 2019: three formative editions in his jury journey

Jérémy Charvet’s presence at Masters de Feu falls within an important period for the event. In 2017, the competition took place at the Compiègne racecourse around the theme of the secrets of European capitals. In 2018, the edition explored the emotions of cinema under the presidency of Gérard Jugnot. In 2019, the Grand Final brought the finalists together in the perspective of the Master d'Or, with a theme devoted to great works. These three occasions gave Jérémy Charvet a broad view of the competition: the diversity of countries, styles, musical languages and pyrotechnic sensibilities.

This loyalty to the jury reflects a lasting relationship with the event. Jérémy Charvet did not simply appear at Masters de Feu as a one-night guest: he accompanied several key moments, alongside other personalities from the performing arts, media, culture and the pyrotechnic world. This variety of profiles is part of the competition’s identity. It makes it possible to combine expert insight and public emotion, technical analysis and immediate feeling.

The fire that moved him most: poetry and cinema

When asked which firework display touched him most among the competing shows, Jérémy Charvet mentions a creation associated with Édouard Grégoire and Gérard Jugnot. This memory is no coincidence. It speaks of poetry, delicacy, and a tableau that goes beyond performance to reach a form of narrative elegance. In an international competition, power alone is not enough: the greatest moments are often those in which technique becomes invisible, where pyrotechnics seem to tell a story rather than merely impress.

This remark says a great deal about his sensibility. As a singer, Jérémy Charvet knows the importance of nuance, build and silence. As an actor, he understands the value of true emotion. Faced with fireworks, he therefore looks not only for spectacle, but for overall coherence: the way colours, heights, rhythms, launches and music build a story. It is this artistic reading that makes a jury at Masters de Feu so rich.

A childhood wonder turned competition experience

Jérémy Charvet speaks of fireworks as a childhood memory. This intimate familiarity no doubt explains his enthusiasm for joining the jury. Many spectators share this emotional connection: fireworks evoke summer evenings, popular celebrations, eyes turned upward, the silence before the first explosion, then that very simple feeling of being together before the same wonder. At Masters de Feu, this collective emotion takes on an international and artistic dimension.

For him, taking part in the jury meant stepping behind the scenes of an old dream. Not to break the mystery, but to understand how it is made. This new knowledge did not diminish the wonder; it amplified it. Knowing how many hours, gestures and decisions lie behind a sequence of just a few seconds makes the spectacle even more precious. The magic remains, now accompanied by a deep respect for the pyrotechnicians.

The essential quality of a juror: keeping a child’s eyes

Asked about the best quality for judging a competition like Masters de Feu, Jérémy Charvet answers with a simple phrase: you must have kept your child’s eyes. The line may sound light; it is, however, profoundly accurate. Judging fireworks is not only about checking synchronisation or measuring the variety of effects. It is also about allowing yourself to be surprised, to feel, to vibrate with the audience.

Of course, a jury must remain attentive to the competition criteria: aesthetics, emotion, synchronisation, richness of pyrotechnic writing. But wonder remains an essential indicator. A successful display does not impose itself through mastery alone; it suspends time. It makes you forget the mechanics, leaving only movement, colour, music and breath. In this sense, Jérémy Charvet’s взгляд aligns fully with the spirit of Masters de Feu: a demanding competition, but first and foremost one devoted to shared emotion.

Why come to Masters de Feu, according to Jérémy Charvet

To make the public want to discover the event, Jérémy Charvet does not offer a complicated argument. He insists on a sensation: time standing still. For nearly two hours, the performances follow one another, carried by enveloping music and the visual power of the pyrotechnic creations. The spectator is not merely attending a competition; they are experiencing a complete evening, designed as a grand luminous interlude.

His testimony sums up one of the strong promises of Masters de Feu in Compiègne: to offer a gathering where international precision meets popular celebration, where pyrotechnicians are judged without ever overshadowing the pure joy of the show. People come to admire competing teams, compare styles, support a country or a pyrotechnic house. They leave above all with that very special feeling that Jérémy Charvet describes with humour: the desire to come back.

A lasting connection with Masters de Feu

Since this interview published in 2022, the link between Jérémy Charvet and Masters de Feu has been confirmed. After serving on the jury for several editions, he was also associated with the 2024 edition as jury president. A continuity that perfectly reflects the place he holds in the event’s history: that of a friendly, curious, popular artist, able to speak both to audiences and professionals.

His perspective is also a reminder that Masters de Feu is not only about rankings. Behind the Silver Master or the Gold Master, there are women and men who imagine, design, assemble, judge and applaud. There are invited personalities who bring their sensitivity. And above all, there is an audience that, every year, looks up at the sky over Compiègne with the same expectation: to be surprised, moved and carried away. And perhaps that is what Jérémy Charvet expresses best: fireworks remain an art of childhood, but they reveal their full power when carried by adult creators at the peak of their craft.